Mini Mix: O'Jays, Staton, Mayfield, Scaggs & Hawthorne

What I have been spinning of late...

A Prayer


Mayfield - Cannot Find a Way

Ashford & Simpson Mix

~Nickolas Ashford (1941-2011)~









'California Soul' was recorded earlier by The 5th Dimension and Marvin Gaye & T. Terrell, but Marlena Shaw owns it.





See an interview with Ashford & Simpson from 2009.

Sounds from Mixcloud

Flyjack! by Heavysoulbrutha on Mixcloud

Busy week (& month) coming up. May be AWOL for a bit.

Bootsy Collins Sampler

Never been a huge fan of Bootsy - I tend to prefer the sounds of Stanley Clarke, Paul Jackson, Marcus Miller, Ron Carter, Christian McBride, & Ronnie Baker (I lean towards the Jazz bassists). I could probably throw Larry Graham in there too. But Bootsy is the preeminent bassist when it comes to Funk. His impact on music and the bass is undeniable. When you ask who the great modern bassists are... there is a reason why his name is often in the top 3, 5, or certainly the top 10.

3 for 1: Gene Chandler, Black Keys and Quincy Jones

3 for 1: Intruders, Bob James & Jamie Lidell

Intruders - 'Save The Children' (Gil Scott-Heron 1949-2011)

Gil Scott-Heron Passes On

                                    Gilbert "Gil" Scott-Heron  
                                                                      1949-2011

Gil Scott-Heron was one of the voices of my Progressive conscience. Although he was far more to the left than most. I have moderated and become more Conservative as I have gotten older. I didn’t agree with all of his positions of course, but he was so big that it didn’t matter.

I first discovered Gil Scott-Heron in the late 1980’s during the brief resurgence of the Black consciousness movement, of which I was in tune with at the time. Carlton Ridenhour was probably responsible for that introduction…. I can’t recall exactly. But it was definitely during that period. But I didn’t really dive into his music until later, in the 1990’s, when I began to really study the history of music. He only grew on me from there. I wasn’t impressed with the “Godfather of Rap” nonsense…. Which is a title that he actually didn’t want. In fact, he is quoted in the New York Times giving a rather humorous response to that suggestion. Yet the media (including print media) keeps repeating this misinformation. I didn't like him for his connection to Rap, but in spite of it. It has been highly annoying to hear him being branded with that label repeatedly. Message to reporters who have no idea about music and musicians from the Black American experience - ask an enthusiast, amateur musicologist, or academic familiar with the artist before writing anything.

I also didn’t care for the militant label. What I liked most about Gil Scott Heron was his vision, musicianship, songwriting, and the fact that he felt free and told it like he saw it. I also was impressed by the fact that he never sold out…. Meaning he never put the pursuit of commercial success over his craft and the need to be a voice for the voiceless and the invisible. There are not too many of these kinds of artists around anymore…. And there have not been many throughout modern history, excluding the great bluesmen. At least there have not been many like this who had a national stage. Dylan comes to mind… Joan Baez, Marvin Gaye as well (just so happened the “What’s Going On” album went big…and that was partly because Marvin Gaye had already been established as a world phenomenon by the early 70’s when the album was completed. But the point is… Marvin Gaye had to fight with Motown to do a socially conscious album). Others include Curtis Mayfield, Donny Hathaway, Nina Simone, Odetta, and a few others. With the exception of Bob Marley, Curtis Mayfield, Marvin Gaye, the vast majority of artists in this vein don’t become huge commercially. They sacrifice (some more than others) the trappings of fame and fortune in order to respond to another calling. That is what was most impressive to me about Gil Scott-Heron. Here was a man, an immensely talented artist and songwriter, who could have had more commercial success had he chose that route. Just on his writing ability alone he could have gotten a nice Sr. writing gig at Motown or Philadelphia International. He could have taken the road paved with gold, but instead chose to take the narrower route, barely paved at all. You would be hard pressed to find artists like this today who have another calling. Unfortunately, the era of the Nina Simone’s and the Gil Scott-Heron’s is passing, as consciousness in music is fading.

Gil Scott-Heron (at his height) represented a time in Black culture when there was a Black culture worthy of our attention and examination. He represented a time when it was not only OK to embrace being Black, but it felt good. It was a time when you could be proud to be Black.... not embarrassed. You didn't have to hate it. It was a period, post-MLK and post civil rights act, when Blacks were just starting to make real strides in terms of improving their socio-economic, political, and educational positions. There were reasons to be proud and hopeful. I can't say that the pride is there for me today in nearly the same way. The image of Blacks has taken a beating... much of the work that the civil rights pioneers did to restore and boost the Black American image has been squandered. We have the likes of BET, Beyonce, Rihanna (and others... pick just about any female Rap/R&B act) to thank for that, along with the Rap culture. I think most regular readers should know how I feel about rappers.... so I won't rehash. But with only a few exceptions, I put them somewhere in between child molesters on the low end & con artists on the high end.

His vision was prophetic. The 'Winter in America' that he wrote about…. We are in it right now. In it, he lays out the consequences of a nation with misguided priorities….one that invests in war, but won’t invest nearly as much in its people, that spends more for killing than for educating its children, one that facilitates greed in the private sector (ie Wall Street) but fails when it comes to facilitating justice and fair play for working people. It is definitely Winter. In fact, we are still in the blizzard that hit us back in September, 2008. ‘We Almost Lost Detroit’? That’s a song about nuclear energy. (Let’s not forget Chernobyl and the world is still dealing with Fukushima). In ‘We Beg Your Pardon’ he was talking about the crooks who escaped from Watergate with a slap on the wrist, but he could have just as easily been referring to the political bullies in the Bush Administration who misused their positions or to the Wall Street crooks who left the scene of their crimes unscathed, while the rest of the Country has been forced to deal with the consequences. He was ahead of his time. Yet as he served as a messenger he also served as an example of the frailties & vulnerabilities of man. He had his own demons and addictions that dogged him. Most of the really great artists had something that dogged them…. Drugs, mental illness…. alcoholism…insecurities…family problems… something. Gil Scott was no exception. These things serve to make these great artists even more authentic. It shows that they are down in the muck of life right along with the rest of us…and Gil Scott-Heron never put himself above those who were listening to his music. When I hear about the jackasses in entertainment today…with their entourages, tour trailers, demands for accommodations, I am both amused and dismayed. They have no sense of a higher purpose or higher calling at all. Money is the God or higher calling that they serve…. Material things. That’s basically it for the vast majority of today’s entertainers. In a nutshell, they f______ make me sick. This is the main reason I don’t watch much empty-v. Although some of their social programming has gotten better. All in all, it still represents a dying culture.

My favorite Gil Scott-Heron album would have to be ‘Pieces of a Man’. This is a masterpiece. One of the best albums I have ever heard. I would put it on par with Marvin Gaye’s ‘What’s Going On‘, Marley’s ‘Exodus’ or ‘Catch A Fire’, or Stevie Wonder’s ‘Innervisions’. The only real difference between ‘Pieces of a Man’ and these other masterworks is that the others are much more well known, and had more reach. Here is a partial discography with his most important albums. If I had to pick 12 favorites, they would be:


1. Winter In America

2. We Almost Lost Detroit

3. Pieces of a Man

4. Home is Where the Hatred Is

5. I Think I’ll Call It Morning

6. The Bottle

7. It’s Your World

8. Save The Children

9. Back Home

10. B Movie

11. Get Out of The Ghetto Blues

12. Prayer for Everybody


Remembrance from NPR

BBC Report

Another blog remembrance





Vocals by Victor Brown of Scott-Heron's and Brian Jackson's Midnight Band

The Chi-Lites, Teena Marie & George Benson

Recorded live over 25 years ago

Some Teena Marie Favs

Put your headphones on :)

TEENA MARIE RICK JAMES LONG BEACH
Uploaded by oublierleracismeskyblog. - Explore more music videos.







Déjà Vu Live


Another Soul Train performance

On American Band Stand

Remembrance







Happy


I'm Just a Sucker For Your Love (instrumental)


Sunny Skies


Now That I Have You


Black Reign


My Dear Mr. Gaye


Out on a Limb


Casanova Brown


Pretty Man


Dear lover


It Must Be Magic


Square Biz


How Can You Resist It


Can’t Love Anymore


365


Miracles Need Wings To Fly


Interview

Three Kings of Blues

The Three Kings of Blues (Blues guitar more specifically): Freddie King, B.B. King, and Albert King. There's only one left. Blues more generally is a dying art. Another American original art that's disappearing. There aren't many great musicians around playing raw blues anymore. Taj Mahal and a handful of others are still going, but there isn't much of a next generation after that. The same seems to be happening with Jazz, although there are a number of programs (not enough) that still teach this art. America seems to be losing its culture. The problem is made worse by the fact that school systems are cutting back on programs for the arts.



Ain’t No Sunshine

Have you Ever Loved a Woman



I like to Live the Love

I Believe to My Soul



I Got The Blues

Blues Power

Solomon Burke Passes On at Age 70

Solomon Burke
(1940-2010)  
I Have A Dream (Now Is The Time)

Rock & Roll Hall of Fame Page

Reports & Remembrances

Rolling Stone

The Guardian

NPR Report

Funky 16 Corners

Three for One: Quincy Jones and Crusaders

Joe Sample/Crusaders - Covert Action

Esther Williams, Dave Grusin, Laura Nyro, & Gene Harris

Mavis Staples, The Voices of East Harlem, & The Pockets

Mavis Staples - Eyes On The Prize


Voices of East Harlem (C. Mayfield production) - Take a Stand


The Pockets- Come Go With Me

Shuggie Otis and Love Unlimited

Shuggie Otis - Oxford Gray


Love Unlimited w/ Love Unlimited Orchestra (Barry White & Co.) - I Belong To You


Barry White/ Love Unlimited - I Found Someone/ Live in London 1975

2 for 1: Boz Scaggs and Joe Sample & the Crusaders

 Boz Scaggs - Here to Stay & Flames of Love


Joe Sample/Crusaders - Lilies of the Nile

Gil-Scott Heron - Ain't No Such Thing As Superman

Ain't No Such Thing As Superman
Gil-Scott Heron & Brian Jackson

Lyrics:

You have understood
The riddles of the ages

Yes and you have understood
The universal mind

You have placed your footprints on
The everlasting sands of time

Yes so tell me why
Can't you understand that there ain't no such thing as a superman?
There ain't no such thing as a superman

You was on the Nile
You went to see great Egypt fall
It fell down to the ground

Yes, and you was out there on the corner
When being cool went blind
Oh, you alone understand that if we gonna win
We've got to get together, stay together, be together, stick together

So tell me why, can't you understand
That there ain't no such thing as a superman
There ain't no such thing as a superman

You alone consider mercy after it seems like all you get is pain
It seems to me that you have found the courage that others could not find
You alone have the wisdom to take this world and make it what it needs to be, wants to be, will be, someday you'll see

The day, the day you understand
That there ain't no such thing as a superman
There ain't no such thing as a superman

3 for 1 - Bettye LaVette, Bill Withers, and Sharon Jones

Bettye LaVette- Salt of the Earth (as good as the original? I think so).


Bettye LaVette - Salt Of The Earth found on R&B




Sharon Jones & The Dap Kings - I Learned The Hard Way

Bill Withers - World Keeps Going Around

Awesome live performance - from the live @ Carnegie Hall album

Interview with Hiromi Uehara

Hiromi performs 'Choux a la Creme' on NPR



Extraordinary pianist. She reminds me of Keiko Matsui, who is one of my favorite pianists.. although Matsui plays in a more melodic style.  Hear quick interview from NPR's All Things Considered.

Hear a more detailed interview w/ performances from Piano Jazz.

See report from CNN.

Article from The Examiner.